An absurd, provocative, incredibly real text.
A voice that deconstructs it, turns it upside down, transforms it into theater.
With her sharp and intelligent irony, Veronica Pivetti presents a unique show, freely inspired by the controversial treatise of 1900 by Paul Julius Moebius: a pseudo-scientific manifesto of male culture that becomes living matter, woven with music and words.
Alongside her, the musician Cristian Ruiz accompanies the narrative with original pieces and sound suggestions, in a continuous dialogue between comedy, reflection, and memory.
Amidst delirious theories, historical quotes, and grotesque paradoxes, a theatrical journey takes shape, bringing to life some of the most discriminatory and surreal texts of the last century, presenting them to the audience with clarity and irresistible sarcasm.
Pivetti, a modern and irreverent storyteller, weaves personal anecdotes into the narrative, transforming the stage into a vibrant space, where the past dialogues with the present and invites the audience to look with new eyes at what seemed already overcome.
A brilliant and necessary show.
To laugh. To reflect. To not forget.
