Villa Trissino Marzotto consists of: an upper villa, a lower villa, monumental late-Baroque entrances, a cedar house or lemon house, an octagonal fountain, and over one hundred statues that adorn the large park, from which one can enjoy the panorama of the Agno Valley and the surrounding countryside. The villa is closely linked to the events of the Trissino family, ancient feudal lords of the area. This villa lies on the hill of Trissino where, since ancient times, a fortress stood, and later, a castle that was the theater for years of the struggles between Guelphs and Ghibellines; after which, following the Renaissance fashion, it was transformed into a country villa (the so-called upper villa, as it is situated on the summit of the hill). The villa, expanded and renovated for the last time between 1718 and 1722 by the architect Francesco Muttoni and, after his death, by Girolamo Dal Pozzo, has come to the Trissino Baston family, owners of Palazzo Trissino, the current seat of the Municipality of Vicenza. Count Marcantonio Trissino Baston, in addition to commissioning the renovation works of the villa, had the imposing entrance to the garden built by Muttoni in 1693, and in 1717 the entrance to the upper villa. The architect also oversaw the arrangement of the gardens, from which there is a view of the Agno valley. Muttoni is also responsible for the construction of the stables, completed in 1722. Subsequently, Count Cristoforo Trissino commissioned Muttoni to build the lower villa, inaugurated in 1746 along with his son Ottavio, with whom, however, the line of Trissino Riale ended, allowing the Trissino Baston family to reunite the entire complex into a single property again. At the end of the eighteenth century and again in 1841, the lower villa was struck by lightning. After the first event, the building was restored, while after the second fire, Alessandro Trissino Baston had it renovated as a scenic ruin, according to the romantic fashion of the time. Count Alessandro and his brothers had no direct heirs, so the entire complex passed to their younger sister Francesca; however, their descendants, after a period of abandonment, sold the property to Giannino Marzotto in 1951.

Villa Emo is a Venetian villa built by architect Andrea Palladio (1508-1580) near Fanzolo, within the municipality of Vedelago.

The work, realised between 1556 and 1559, was commissioned by the Emo family of Venice, whose property it remained until 2004. Since 1996, the villa has been included in the UNESCO heritage list, together with the other Palladian villas scattered throughout the Veneto region.

The building consists of a central body, divided into three floors - a characteristic feature of Palladian villas - from which unravel two columned barchesse, the fulcrum of the farm, complemented by two dovecote towers.

The villa is positioned on two perpendicular lines, one formed by the villa itself, and one formed by the avenue, originally completely planted with poplars. The area was crossed by the ancient Via Postumia and the plot of fields followed the grid of the Roman centuriazione. The villa is oriented according to this ancient plot, as can be clearly seen from the entrances to the building, aligned in a long perspective.

The exteriors are essential, the architectural order chosen is Doric, the simplest, and the windows have no cornices. On entering the interior, however, one can see the rich decorations and numerous frescoes that the villa contains, attributed to the painter Battista Zelotti, companion and collaborator of Paolo Veronese.

At Mizzole, which in ancient times was part of the agricultural settlement of the Benedictine nuns of the convent of San Michele di Campagna, you can find Villa Arrighi.

The first architectural structure of the villa most probably dates back to the 15th century, but its elegant and imposing appearance was given to it towards the end of 1600.

Villa di Modolo is one of the 15 major villas in the province of Belluno and is included in the catalog of the one hundred Venetian villas by Antonio Canova.

A short distance from the center of Belluno, immersed in greenery, Villa Miari Fulcis is a true architectural gem that deserves a visit to be combined perhaps with a walk along the beautiful Modolo ring.

One arrives at a small square where the family chapel dedicated to San Lorenzo stands. Passing through the eighteenth-century gate, one enters the garden, meets the old stables, and finally the Villa di Modolo, a grand construction from the early 1800s designed by architect Andrea Miari.

The central body, decorated with Ionic and Corinthian semi-columns, extends into a wing to which another lower building is attached: the Barchessa, with a porch on the ground floor and cellars below where the date 1644 is still legible.

It was built in the eighteenth century, but the appearance you will see today is the result of changes made in the nineteenth century that affected both the villa and the old stables that flank it. Entering the halls on the first floor, admire the decorations and frescoes that embellish the walls. Unfortunately, these are only part of the entire decorative apparatus that was destroyed during the two world wars.                                                                                          Descending the large staircase, return outside, look for the coat of arms of the Miari family accompanied by the date 1806, and let your gaze wander over the beautiful garden  and the baroque railing beside the building, which encloses and protects this elegant villa.

The complex represents one of the major examples of villas perfectly integrated into the great tradition of the most significant Venetian models.

Villa Buzzaccarini dates back to the mid-1500s, a manor house-castle of the noble Padovan family of Buzzaccarini.

It is surrounded by a large park of over 30 thousand square meters, a perfect place to host various activities: Training Courses, Photo and Film Sets, Sports and Recreational Events.

The interior of the villa consists of various halls: The noble floor, entirely frescoed, the central hall, and four side rooms. The frescoes depict landscapes, villages, countryside, putti, and auspicious symbols.

Today, in addition to being a private residence, the Villa is designated for hospitality for weddings, conferences, study seminars, and television shoots, under the name "Borgo Buzzaccarini."