Villa Buzzaccarini dates back to the mid-1500s, a manor house-castle of the noble Padovan family of Buzzaccarini.

It is surrounded by a large park of over 30 thousand square meters, a perfect place to host various activities: Training Courses, Photo and Film Sets, Sports and Recreational Events.

The interior of the villa consists of various halls: The noble floor, entirely frescoed, the central hall, and four side rooms. The frescoes depict landscapes, villages, countryside, putti, and auspicious symbols.

Today, in addition to being a private residence, the Villa is designated for hospitality for weddings, conferences, study seminars, and television shoots, under the name "Borgo Buzzaccarini."

Villa Barbarigo Rezzonico in Noventa Vicentina, also known simply as Villa Barbarigo Rezzonico, is a Venetian villa located in the center of Noventa Vicentina (VI), built in the late 16th century by the nobleman Giacomo Barbarigo. The building, designed by a Venetian architect associated with Vincenzo Scamozzi, is notable for its majestic four-story structure and the barchesse (arcaded wings) that complete it.

From 1836 to 1891, it served as a Mechitarist college. It was then purchased by the municipality, which first used it as a school and later as the Town Hall—a role it continues to serve today. Rich in frescoes by artists such as Maganza, Vassilacchi (known as l’Aliense), Foler, and Luca Ferrari, the villa celebrates the history and virtues of the Barbarigo family through mythological scenes and dogal portraits. The grand ballroom, decorated with The Truth Unveiled by Time, is especially renowned for its acoustics.

Open to visitors by reservation or during special events, it remains one of the town’s most important historical and cultural landmarks.

Ancient, noble 16th century residence built by the powerful Venetian noble family Corner.

It was built as a summer house, a country residence, where one could spend quiet days,  far from the city. It represents the typical elegance of the Venetian villas: the central heart used as a residence, the barchesse on the two sides, the Italian garden, the many cultivated fields.

The majesty of the classicist style, the white colour of the marble. This marvellous building was enlarged and modified over the centuries by the various members of the Corner family. A small jewel, immersed in the Venetian countryside. It bears witness to the beauty of art in all its forms.

Today, part of the villa has been transformed into a hotel, a choice made by the last owners: the Counts Dona' delle Rose.

In this place it is possible to get married and organise cultural and private events. From the gate you can see the great staircase and the statues that protect the entrance and make the rich garden beautiful.

Located in Noventa Vicentina, in the province of Vicenza, Villa Manin Cantarella is one of the most important historic residences in the region. Built between the late 16th and early 17th centuries by Venetian nobles, the villa was renovated in 1883 by architect Antonio Caregaro Negrin, who enhanced its facade and barchesse, giving the building an elegant 19th-century appearance.

Over the centuries, the villa changed ownership, and in 1797, after the fall of the Venetian Republic, it became the property of the Masotto family. It was later purchased in 1882 by Bortolo Cantarella, who entrusted its final renovation.

Characterized by a large central hall, fine frescoes, and a vast park, the villa is a perfect example of Venetian architecture. The barchesse, with their large arches, reflect the agricultural activity that once dominated the area.

Today, Villa Manin Cantarella hosts cultural and private events and has been carefully restored, bringing the park back to its former glory. The villa, with its artistic discoveries and history, is one of the most fascinating residences in the province of Vicenza.

The garden of the Villa is open to visitors, but the main building of the Villa is not, as it is reserved for various associations that operate in the social sector, such as a nursing home for the elderly. 

The side building, however, houses the Municipal Library.

The Historic Park represents one of the rare examples of a garden that has survived to our time, designed according to scenographic criteria capable of creating panoramic illusions of a particular effect. The so-called English garden, in this case designed by the famous set designer Francesco Bagnara.

Hours of the Historic Park

From May to September: WEDNESDAY - SATURDAY - SUNDAY continuously from 8:00 AM to 8:00 PM. Free entry.

Possibility of guided tours (049 9471066)

The large complex of the villa in Galliera Veneta, located in the immediate vicinity of the town center, is the result of a series of transformations carried out in different eras; however, the origins of the oldest nucleus date back to the 16th century. In 1518, Pietro Capello declared ownership of a manor house with agricultural annexes, a dove tower, a vegetable garden, and an orchard, which was expanded in the following century following the concession by the Republic of Venice to use the water from the Brenta River for the feeding of a canal. At the death of Andrea Capello in 1796, the estate must have been significantly larger, as the estimated inheritance cited not only a manor house but also a barn, a small chapel, stables, other buildings, and a garden with two fish ponds and a small lake. In 1821, the villa was purchased by the Comello family, who were responsible for the arrangement of the garden, which the renowned set designer Francesco Bagnara transformed into an English park, modifying the previous geometric organization of the Renaissance garden by introducing waterways, elevations, and the planting of rare tree species. When, in 1858, the residence and the surrounding lands were purchased by Anna Maria of Savoy, wife of Emperor Ferdinand I of Austria, the architectural structures and the park underwent a new intervention, which was handled by Francesco Bortolami. To the main facade, now facing the main road, a balcony, a pediment, and a small belvedere tower were added, and some renovation works also affected the lateral wings. The new owner, giving the villa its Imperial name, also wanted the construction of a chapel dedicated to the Immaculate Mary, even though the western barn already housed a private oratory. In the second half of the last century, the complex, purchased by INPS, underwent a decisive change in functional destination and was converted into a hospital, while the garden was partly stripped of its original appearance. Today, the exteriors appear to be in fair condition, unlike the interiors, which have been repeatedly transformed in their layout and finishes.

The complex was commissioned by the Piovene Family in the second half of the 17th century and features the classic structure of Venetian Villas. It has an internal courtyard surrounded by columns with barns and a chapel. Initially, the construction began along the current state road, but due to a flood of the Agno river that flows nearby, it was decided to build at the location where the villa stands today. From the Piovene family, the complex was inherited by the da Porto family and later by the da Schio family, the current owners.

The extensive historic park follows the traditional design of 18th-century parks. In front of the facade is a classic Italian garden characterized by boxwood hedges and lemon trees. Numerous are the statues from the "workshop of the Marinali"; in front of the villa is the "fish pond," a large stone swimming pool, the "peschiera," surrounded by statues with biblical and mythological subjects, fed by the water of the Poscola river, which was deliberately diverted to allow for the creation of the park. The garden features three large avenues of linden and hornbeam trees that enhance the perspective effects of the entire complex. At the end of each avenue, there are terraces from which the view extends over the adjacent meadow.
Today, the villa is both an exclusive venue for private events such as weddings, business meetings, parties, receptions, and a place to find hospitality.

The villa, dating back to the 18th century and built on a pre-existing structure, was originally a country house for Venetian families. In 1968 it was purchased by the sculptor Toni Benetton, who transformed it into a residence and exhibition space for his works.

The structure features a Venetian style, with simple architectural lines. The facades are sober, decorated only by a wrought iron balcony and a triangular pediment. Inside, the ground floor has tiled floors and a "Sansovinic" ceiling, with walls adorned with essential stucco decoration. A living room includes an elegant red Verona marble fireplace, with painted decorations depicting boats.

The upper floors have Venetian terrazzo flooring with stucco also found on the ceilings. The first-floor salon retains four stucco panels that once housed paintings from the school of Marco Ricci.

A long adjacent building houses various spaces: former cellars, a greenhouse, granaries, a restored "caretaker's house," a farrier's room, stables (with stone and wood troughs and wall paneling), and a second renovated residence. To the east extends the barchessa at double height, with offices on the ground floor and an attic area above the portico, decorated with bas-reliefs and a Robbiano medallion. The barchessa ends with a family chapel dedicated to St. Anna.

The villa is set in a park of about 20,000 square meters, with ancient trees, magnolias, a large Lebanon cedar, a central courtyard with a well, and hosts Toni Benetton's "Macrosculture," large works integrated into the landscape.

Currently, it houses:

• The Toni Benetton Museum, in the former cellars and greenhouse;

• The International Academy of Iron, in the former studio of the sculptor;

• The International Documentation Center on Iron and other metals, in spaces adjacent to the villa.